Matisse's "Odalisque in red pants," back to Venezuela
The Venezuela's Cultural Heritage Institute informed that the piece of art will arrive in the country this month
The piece of art had been stolen from the museum by Pedro Marcuello Guzmán and María Ornelas Lazo, who were sentenced to prison for having transported, taken possession, and attempted to sell the stolen painting.
The US Department of State has contacted the Venezuelan Embassy to inform that the painting could be transferred back to the country, the president of the Institute of Cultural Heritage (IPC), Raúl Grioni, stated. "They (US authorities) said that the trial had ended. Those found guilty had been convicted. We were duly informed that the painting was ready to go back. The US Government took this very seriously," Grioni informed.
An expert in Matisse may have a look at the painting upon request of the Venezuelan Government to confirm if it is the original and not just another replica. The painting had already been reviewed by retired curator from the New York Museum of Modern Art John Elderfield, who testified in court and confirmed its authenticity.
Translated by Jhean Cabrera
A simple reason: there is oil galore, would suffice to explain Guyana's actions. Another explanation lies in the little or none efforts made by the Venezuelan government to thwart the move by the Guyanese. This is certainly not a new problem, but a problem only recently highlighted because oil is involved. But what other resources does the disputed area hold? For most of us it is a section on the map with black and white stripes on it, a depiction of something distant, alien, a nothingness not worth paying much attention to in geography classes back in elementary school.